Saturday, October 23, 2010

The Masculinization of Jane Austen


Not only has the digitization of Jane Austen's manuscripts pushed the digitization of literature forward, it has also reshaped the way scholars perceive their British darling. Original manuscripts suggest that Jane Austen was less the polished stylist that New Criticism made her out to be and more of an "unruly" and "experimental" writer at heart. As it turns out, Austen's editor deserves a bit more credit for her infamously tidy style; the discovery both dismays and delights scholars.

If I were a gender critic looking for my next book deal, "The Masculinization of Jane Austen" might just do the trick. (Hint.)

Monday, October 18, 2010

From Town to Country

Photo by Mary Bloom, The American Kennel Club, Inc.
 In the autumn, my thoughts turn toward the countryside. Habitually Chic found a gorgeous photo spread celebrating autumn on the Wall Street Journal's website this week. Lo and behold, the WSJ combined three of my favorite things--Peter Krause, Vizslas, and a country manor--with Ralph Lauren-like cleverness. Suspending cynical thoughts about the shoot's commercial nature, I relished it for a full ten minutes.





Sunday, October 17, 2010

Arranging the Skin

"Here are some of the secrets of taxidermy. They were told me by the taxidermist in a mood of elation. He told me them in the time between the first glass of whisky and the fourth, when a man is no longer cautious and yet not drunk..." ("The Triumphs of a Taxidermist," H.G. Wells)

Primitive
via tartanscot   

 
Aloof
via Marie Claire
  
"Antiquarian"
The Hollisters via The New York Times

Ecclectic
The Malplaquet House via Thomas Apolis

Friday, October 15, 2010

Sir Pelham Grenville Wodehouse

P.G. Wodehouse via The Guardian

Today is P.G. Wodehouse's birthday. The humorist produced 96 books with such ease that he is stilled shunned by some "serious" scholars.  The prose, by his own admission, was "light," its humor, ready. Although his novels were rooted in the Anglo culture, customs, and psyche, P.G. Wodehouse spent the majority of his life in America. "I have always been awfully fond of America. It always seemed like my own country. I don’t know why. I’d much sooner live here than in England, I think. I can’t think of any place in England I prefer to this." Below is an excerpt from Gerald Clarke's interview with the writer as published in The Paris Review's Winter 1975 issue: 


INTERVIEWER: What have you been reading most recently?

WODEHOUSE: I’ve been reading the old books, books that I’ve read before. The first time you read a book, you don’t read it at all carefully; you just read it for the story. You have to keep rereading. Every year or so I read Shakespeare straight through. But then I go to the latest by Agatha Christie or Rex Stout. I read every book of theirs. I do like a book with an elaborate plot. But I haven’t any definite plan of reading. I read almost everything, and I like anything that’s good. I’ve just reread a book of A. A. Milne’s called Two People, which I had read several times before. His novel is simply a novel of character. It’s not the sort of thing I can write myself, but as a reader I enjoy it thoroughly.

INTERVIEWER: Do you read any contemporary novels?

WODEHOUSE: I’ve read some of Norman Mailer.

INTERVIEWER: Do you like his writing?

WODEHOUSE: I don’t like his novels very much, but he writes very interesting nonfiction stuff. I liked Advertisements for Myself very much.

INTERVIEWER: How about the Beats? Someone like Jack Kerouac, for instance, who died a few years ago?

WODEHOUSE: Jack Kerouac died! Did he?

INTERVIEWER: Yes.

WODEHOUSE: Oh . . . Gosh, they do die off, don’t they?

INTERVIEWER: Do you ever go back and reread your own books?

WODEHOUSE: Oh, yes.

INTERVIEWER: Are you ever surprised by them?

WODEHOUSE: I’m rather surprised that they’re so good.

INTERVIEWER: Of all the books you’ve written, do you have any favorites?

WODEHOUSE: Oh, I’m very fond of a book called Quick Service and another called Sam in the Suburbs, a very old one. But I really like them all. There are very few exceptions.

INTERVIEWER: Have you ever been envious of another writer?

WODEHOUSE: No, never. I’m really such a voracious reader that I’m only too grateful to get some stuff I can read.

INTERVIEWER: Have any other writers ever been envious of you?

WODEHOUSE: Well, I always thought A. A. Milne was rather. We were supposed to be quite good friends, but, you know, in a sort of way I think he was a pretty jealous chap. I think he was probably jealous of all other writers. But I loved his stuff. That’s one thing I’m very grateful for: I don’t have to like an awful person to like his stuff. I like Somerset Maugham’s stuff tremendously, for example, but I should think he was unhappy all the time, wouldn’t you? He was an unpleasant man.

INTERVIEWER: Was he unpleasant to you?

WODEHOUSE: No. He was all right to me. We got along on just sort of “how do you do” terms. I remember walking back from a cricket match at Lords in London, and Maugham came along on the other side. He looked at me and I looked at him, and we were thinking the same thing: Oh, my God, shall we have to stop and talk? Fortunately, we didn’t.


Monday, October 11, 2010

Have You Any Wool?

Dyed Sheep via DailyMail
In celebration of British Wool Week, Savile Row is hosting the Prince's Campaign for Wool Field Day. Sheep will graze on designated lawns in London to remind the world why wool "is revered as a sustainable, natural fibre."

Friday, October 8, 2010

This Teeming Womb of Royal Kings

An anonymous 16th century painting of Richard II
 If you've read Shakespeare, you've probably concluded that the Black Prince, Richard II, is the king that only his own mother loved. Shakespeare's history play dramatically chronicles the the defeat of Richard II, made to appear as dark in heart as he proved in mind, to the noble Hal, Henry of Bolingbroke. Even though Richard II contains a most vibrant and sentimental description of Britain...
This royal throne of kings, this scepter'd isle,
This earth of Majesty, this seat of Mars,
This other Eden, demi-paradise;
This fortress built by Nature for herself,
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall,
Or as a moat defensive to a house,
Against the envy of less happier lands;
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fear'd by their breed, and famous by their birth.
Richard II, Act 1
...Shakespeare's characterization of Richard is not a little unjust. (Hal, after all, was even more--if that's possible--unpopular and foolish.) Richard's reign abuts the economic aftermath of the black plague. The political and economic turmoil was more than a ten-year-old sovereign could have hoped to understand; a council ruled in his stead. Granted, coming of age while on the throne of England rarely does wonders for one's moral character. Yet Richard's faults were hardly unique. Yes, he lived a romantic fantasy (oblivious to the political risk of the divine right). And yes, he played favorites in a foolhardy fashion (What king hasn't?).  For these sins, the Black Prince, described as "the first casualty of the Wars of the Roses between the Houses of Lancaster and York," was harshly imprisoned after his usurpation and allegedly murdered.

A depiction of the White Hart, the personal emblem of King Richard I
Ironically, this oft-maligned monarch is unintentionally memorialized through two mundane aspects of modern culture: one, culinary, and the other, sartorial. Neither bolsters the modern eye's confidence. Although Richard was far from being the first to daily consume "salat," court descriptions of Richard's favorite dish are among the first to parallel our modern salad: "Take parsel (parsley), sawge (sage), garlec, chibollas (young onions), leeks, myntes, fennel, ton tressis  (watercress)...waishe clene..myng (mix) wel with rawe oile. Lay one vinegar and salt."

Richard is more often recognized for the introduction of the handkerchief, which came into fashion in his royal court. The court ledger from this period chronicles that it became the custom to have "clothe supplied in little pieces for giving the King for carrying in his hand to wipe and clean his nose." Call me anachronistic, but I can't imagine that either idiosyncrasy did anything to negate history's depiction of the Black Prince's whimsical, even wimpy nature.

Irish Linen Handkerchiefs via Orvis

Wednesday, October 6, 2010

Pink for October


via Turquoise, Tulips, & Bliss

For two decades,
Evelyn Lauder and Elizabeth Hurley
have been reminding us
to be aware.
"Beauty is an attitude."



White House 2008 (HT: Grant Miller)





Monday, October 4, 2010

For Everything a Season

For everything there is a season. The first week of October is the season for unpacking and repacking. Out of the box: wool sweaters, leather boots, tartan blankets, houndstooth pillows. In the box: linen shirts, cork-lined sandals, gauzy throws, floral pillows.

Which leads me to a moment of confession. I am once again contemplating the purchase of a sheepskin rug; and it's a perennial contemplation. In the Autumn, this idea gnaws at the corners of my consciousness. No matter how my personal taste evolves, there is always room for the idea that a sheepskin would do very nicely. After all, a noteworthy rug (faux or otherwise) compliments so many frames of mind.


The Rational
via simply seleta


The Romantic
via marie claire maison

The Primitive
via Suzy Hoodless

The Opulant
via Elle Decor
 

The Sophisticated
via la belle vie

The Serene
via my ideal home

The Zealous
via Decar Pad


Saturday, October 2, 2010

Autumnal Grace

Although insistent, autumn is graceful. Autumn may tear through your hazy, summer stupor with little mercy, but no one can claim she does so without grace.  She comes bearing gifts...
via junkgarden
No spring nor summer beauty hath such grace
as I have seen in one autumnal face.
John Donne